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Another older slash zine this time: Exposures (1). This one was a quick read - the spacing is wide and there are only 3 stories in its 166 pages.

Overall, I would recommend it, primarily for the first story, Some Kind of Friend, by Rettig Holt. This was my favorite of the trio, and luckily it's the heftiest as well, coming in at 80 pages. It's a fairly heavy angst story (vague spoilers:containing discussion of sexual violence and suicide), but it doesn't wallow. The tension between Illya and Napoleon is well drawn out - I tend to enjoy stories where they find themselves in conflict - and there's a look at Solo's manipulative side that's really interesting. He's willing to be cruel to Illya in the interests of protecting him, which I think rang true for the characters. The dialogue was effective throughout.

The second story, Friday Night by Steven J. Keller, is a humor piece that didn't quite land for me, but had some charming moments.

The remaining story, Stormy Weather by Candace-anne Clarke, is essentially a PWP. I have no issue with that, but the athleticism displayed somewhat beggared my belief, given that one of the characters allegedly has a recent brain injury at the time. 

Aside from the cover art, there are no original illos as far as I can tell, just reprints of images from the show. Some of these have been doctored by someone named Steve (unclear if this is the same person as Steven the author) into mildly amusing cartoons.

That's a wrap on Exposures 1, here's hoping I'll get my hands on Exposures 2 and 3 someday.

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This novella is not exactly a PWP, but its porn to plot ratio is high. It's also an unabashed melodrama. Sapphire orbs and burgeoning staffs abound. But, if that is your cup of tea, I think that you will find this is a good one. Also, it was written in 1989, so I must forgive the proto-clichés in favor of respecting an early pioneer of the MFU slash zine world.

If you've looked this zine up on Fanlore, you'll know that it is of the 'Illya is a hooker' subtype, but this premise fades in significance fairly early as the story catches up to the series timeline. The author's read on the episodes that they include is very nice, including a finale that takes some well-borrowed emotional heft from the aftermath of the Seven Wonders of the World Affair. The one original case-fic that's included, though, felt a little half-baked to me, and wrapped up very quickly in a way that didn't totally make sense.

Mark Slate features in the first half of the piece, and I enjoyed seeing him in a different role than the one he's normally given. I don't know his character well enough to comment on how true it would ring to a real MS fan, but I found him to be a pleasant surprise.

Overall, the dialog is nice and crisp, and the illos by KOS are fantastic, some of the best in the industry. I was not this zine's ideal reader, but I can see why it won a FanQ (sometimes I'm left scratching my head), and I'd recommend it to fans of the genre.

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1. The Seventh Cross by Anna Seghers (trans. Margot Bettauer Dembo).
This 1942 suspense novel relates the escape of a political prisoner from one of the earliest concentration camps. On his journey, he reunites with friends and comrades, each which must choose whether to help or betray him. I think the part of this book that I found the most interesting was its depiction of German communists and fellow travelers making these decisions as the shit is hitting the fan and they are finding their principals tested in a very real way. I read this back in January and I wish it didn't feel so relevant now. I highly recommend Seghers in general for her taut, incisive, yet compassionate writing.

 
2. The Brave Little Toaster by Thomas M. Disch.
I was totally unprepared for how witty and charming I would find this children's classic.

 
3. East of Eden by John Steinbeck.
A deceptively simple plot and starkly beautiful language combine with sophisticated characterization. I was especially surprised by the novel's nuanced depiction of race and double consciousness. Feels both epic and true and capital B 'Bibical.' It feels almost trite to recommend his work at this point, but I guess I get now why folks still love Steinbeck.

4. Der hoyf on fenster by Mimi Pinzon
One of the best child POVs I've ever come across. Not available in English (yet! I hope someone will take up the challenge of translation), so sorry if you don't read Yiddish (you could learn though, that would be cool, just planting a seed). 

5. The End of Days by Jenny Erpenbeck (trans. Susan Bernofsky)
Are you also haunted by life's finitude, uncertainty, and the human capacity for violence? This book may or may not help you.
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The Man from U.N.C.L.E. is my fandom security blanket, and Star Trek is one of the few pieces of media that can reliably make me feel hope for the future, so I bid on this crossover zine the week before the US elections as something of a 'Break Glass in Case of Emergency' purchase. Well, consider the glass broken.

I had fairly high hopes for this zine, given the reviews reprinted on Fanlore. Overall, it was solid comfort reading and I would recommend it, although there were some elements I didn't love. It tries to be a big ensemble piece, but I think it would have benefited from picking 2 or 3 POV characters and sticking with them. The shifts of POV were frequent enough to be somewhat jarring, especially among the Enterprise crew.

Accents are written out phonetically in a way that I know some readers find irritating, but which I don't really mind. 

Overall, I think the Enterprise crew members adapted to the past just a little too easily, given how out of their element we see them in The Voyage Home. For instance, in an early scene, Uhura needs some cash, so she pops into a pawn shop to sell her earrings. I had an immediate 'Not in My Post-Scarcity Utopia' reaction to the supposition that a future person, used to the economic systems of the Federation, dumped into the past, would immediately recognize the utility of a pawn shop. I can, however, be convinced that the Star Trek characters fit into the '60s because they are, on some meta level, creatures of the time. There is a blink-and-you-miss-it bonus crossover towards the end that I found extremely unnecessary, your mileage may vary.

Like many 1980's and 90's zines, the narrative shows a marked preference for Illya over Napoleon. I have no problem with that, just feel obligated to warn Napoleon fans (and I do count myself among your number), that there's not much here for you. I've also noticed a fan tendency to (imo) overestimate Illya's intellect. I love the dude, but I don't personally see him winning any Nobel Prizes, if you know what I mean?

All of these quibbles may make it sound like I didn't enjoy this zine, but on the whole I did! The mystery element is well handled in that the solution is telegraphed enough to make it fun for the reader, but not so much that the characters seem like fools for taking 80 pages work it out, and there's one little twist at the end that I thought was particularly fun. Anyway, this story brought me through (? it seems too early to say that) a dark time, and I have to appreciate it for that. Also, the illos, by Gennie Summers, are quite nice!



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My recommendations out of what I've read this year:

The Factory and The Hole, by Hiroko Oyamada (trans. David Boyd): Two slim novellas, both capture the eeriness of the mundane, and the general atmosphere of mystery compels you to keep reading even though there's not necessarily a plot to be resolved. Read if you like: Kafka, Kobo Abe, The Employees.

Jacob's Ladder, by Ludmila Ulitskaya (trans. Polly Gannon): I picked this book up by accident while looking for Olga Tokarczuk's Book of Jacob, but I'm glad I did! Soviet family epic, with a focal character who is a set designer and who voices really interesting thoughts on art, drama, and memory. Read if you liked: Pachinko, The Goldfinch.

The Dispossessed by Ursula K. Le Guin: It's rare to find a book that combines such rich and thought provoking ideas with such a readable style and compelling plot (I read this over the course of a single overnight train ride). Le Guin sets out worlds that you can believe in - they are not utopias, but they offer a vision for alternatives to what we're doing. Read if you like: Star Trek, Emma Goldman, The Parable of the Sower.

Christopher and His Kind by Christopher Isherwood: Unlike any memoir I've ever read. Come for the catty behind-the-scenes look at the 1930's British literary scene (seriously, Isherwood is friends with every English poet you've ever heard of), stay for the heartbreaking candor of Isherwood's account of being a human being in impossible times. Really interesting use of first and third person. Highly, highly recommend to anyone who has ever read any of Isherwood's other works, which are helpful to read first for context.

The Story of a Life by Konstantin Paustovsky (trans. Douglass Smith): Another literary memoir! This one was long and slow, and yet it held me. It was novel to feel so immersed in another person's life. Also, KP's writing from the perspective of his childhood self is very well done, and I think that's a tricky thing to pull off. Read if you like: Before the Flood/Three Cities (Sholem Asch).

Rules for Radicals by Saul Alinsky: If you've ever been organized, this book will make you go 'Oh! So that's why we did that.' It was good to touch ground with a coherent theory of change. Alinsky's theory of change doesn't have to be yours, of course, but it's nice to feel that someone out there has actually thought these things through.

The Seven Moons of Maali Almeida by Shehan Karunatilaka: This book made me sob - whether to take that as a warning or an endorsement is up to you. Read if you like: The Satanic Verses, American Gods

Happy new year and happy reading! If seeing these makes you think of anything I would like, I'll happily take recs for the year to come.



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This week I finished two zines, both by the same pair of authors, Diana Smith and Pat Dunn. Overall, I would definitely seek out works by these two again - it's clear that they know their stuff and do good character work. 

1. The French Songbird Affair 
I bought this primarily because it is situated in the St. Crispin's Day Universe (set right after Warriors), a place I always love to visit. In terms of the story, Napoleon and Illya are sent to protect the widow-in-all-but-law of a murdered UNCLE agent  in the 1960s, a tale unfolds involving her espionage activities in occupied France in the '40s. If you are at all familiar with the way fiction works, you will not be surprised to learn that the flashback eventually becomes highly relevant to the series timeline A-plot. 

I found the zine to be very well done. It's clearly extremely well researched. You spend a lot of time with original characters, especially in the flashback sequences, which are roughly 1/2 the text. The original characters are well drawn and I found their story to be engaging, but if you are someone who loses interest when the focus is not on our guys, this may not be the zine for you, despite its definite quality. 

2. The String Theory Affair (The Man from Uncle/Quantum Leap 1989 Crossover)
I saw that this won a FanQ, and I like both fandoms, so I figured I'd give it a shot. 

This zine is split into two pretty distinct parts, although the two halves do come together at the end through a recurring antagonist (if you, like me, read this in conjunction with The French Songbird Affair, you may notice a bit of a structural pattern, but not a bad one, imo.) The first section, 'A Mole in the System,' I found highly enjoyable. Sam Beckett is a really fun outside POV character, because his is very much an outside perspective, but at the same time he is right in the action, and experiences everything that Illya or Napoleon would (he occupies both of their bodies at different points in the plot - if you don't know what Quantum Leap is, don't worry about it). I also thought there was a really nice balance between scenes set in the MFU universe and scenes set at the Quantum Leap base. I wasn't expecting to see much of the 90's characters at all, so that was a nice surprise and there are a few scenes with Illya and Ziggy that are really delightful. 

This zine almost lost me in the second half though -- 'Part II: The Americanization of Illya,' in which Illya goes undercover in Elk Ridge, Indiana to look over a young Sam Beckett. This part didn't work for me for reasons that I expect have more to do with me than with it. As a queer Jew, the concept of 'Americanization,' and the plot of an outsider character acculturating to a normative Midwestern [read white, Protestant, straight] family made me a bit itchy, especially the scenes set at church. While there were some moments of cultural exchange, all the American characters seemed to get out of the experience was a stronger feeling of 'oh boy, we're sure glad we don't live in the USSR,' which is perhaps fair but felt somewhat incomplete, and I would have liked to see more depth into Illya's feelings about the way he presented himself and his background while undercover. The Becketts were somewhat aggressively wholesome in a way that, again, made me uncomfortable, but may not have the same effect on you. 

The story picked up towards the end, when Napoleon arrived, and I did enjoy the conclusion. TLDR, it's a fun story, I liked 2/3 of it, and might have liked all of it if not for my own particular identity complex.

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 When I posted my zine blurb the other day I got a lot of questions about where I find the zines that I read. So, without further ado:

1. The Sandy Hereld Collection at Texas A&M University FREE RESOURCE


The late fan and fanzine collector Sandy Hereld left her collection to Texas A&M University, who worked to contact authors and gather the rights to digitize and preserve decades' worth of early fanworks. The Sandy Hereld Collection is an incredible resource. 

But, if you go to the site I link you'll see that most of the works themselves are locked. So, what's a girl to do?

I work at a university, so I started requesting them using my institution's interlibrary loan system. This worked for a while, but not perfectly, and I was following up on some issues with incomplete files when I contacted the TAMU digital collections (digital@library.tamu.edu) to ask about what I could and couldn't request through ILL.

 
Beyond my wildest expectations, they forwarded my request to the curator of the collection, and he gave me a login to use with my personal email, that now allows me to access most of the materials directly from the website. 

I don't know if they do that for everyone who bugs them, but this leads me to believe it's definitely possible to get access without any kind of university affiliation, and it can't hurt to reach out. I would suggest trying with something like "I'm an independent researcher with an interest in XYZ...." Good luck! 

2. Ebay

Can be pricey (my personal limit is $30 with shipping) and hard to evaluate value. I'm also a terrible haggler, so if you're able to drive a hard bargain, the site's bidding culture may serve you better than it does me. 

3. Northcoast Press


Originally a traditional zine publisher, no e-zines only. I know some people don't believe in paying for e-zines, and to be honest I'm a bit iffy on the practice myself, but I'm also somewhat insatiable and I only have so much self control. At $5/per zine, this is cheaper than Ebay. 

That's pretty much it! I look for them in the wild as well of course, but so far I've only turned up Ace paperbacks at used bookstores and rummage sales, but I'm still on the lookout. 


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I've been collecting and reading paper fanzines for about a year now, and I've realized that, given that they can cost a bit, it's very helpful to know what you're getting into and whether you're likely to enjoy it before you go ahead and buy one. So, it seemed potentially useful for me to share my impressions. 

Without further ado: 

The Z.I.N.E from U.N.C.L.E by Jay Marchand, title page illustrations by CL Crouch. Gen. 1985. 

I'm always a little wary of single author collections, unless I know the author already, but overall, I found this zine to be totally delightful. It's on the slim side, with only three stories. The author has a clear consistent voice, and within that each story has its own feel. The author has done a great job of capturing what I think of as the tone of the show, averaged across the seasons: the writing is fun, wry, a bit sarcastic, grounded in a kind of affectionate humanism. Definitely on the lighter side of zine prose. 


Story One: The Tangled Web Affair 
 
 
 
Picks up after the end of the Fifteen Years Later Affair. I have not seen that film, and was able to follow just fine. I liked that this story leaned into the secret side of secret agents. This is honestly an element that I think some people struggle with (me too! It's hard to come up with proper twisty spy shenanigans), but I definitely appreciate it as opposed to the guns blazing approach. This story has it all: secret codes, dubious allegiances, concealed identities. Good fun!

 
Story Two: The Forget-Me-Not Affair
An amnesia caper with some very funny moments. I enjoyed this story very much, particularly the junior agent original characters, who made UNCLE NY feel nice and lived in. My one complaint is that it wrapped up very quickly. I felt the resolution could have been given a bit more time. 

 
Story Three: The Housewife Affair
The final story was my favorite of the set and is a large factor in why I definitely recommend this zine to anyone who can get their hands on it. Without spoiling anything I will say that the innocent is not who you expect, and their outsider POV is both entertaining and insightful. Gently subversive. Loved it. 
 
 
I hope to post more of these (although I do need to exercise some control over my ebay habits, lol). Hope they will be helpful. 
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 Looking over the books I read in 2022 - thought I’d share some favorites, in no particular order: 

Kindred, Octavia Butler - deeply disturbing in ways that will stick with you. Read if you liked: Beloved, Stepford Wives, Get Out

Abigail, Magda Szabo - Boarding school drama intersects with WWII resistance in this deeply tender book. Read if you liked: Matilda (but for grown-ups).

The Door, Magda Szabo (what can I say, Magda Szabo’s great) - Complex relationships between women, class, forthright narrative voice. Read if you liked: My Beautiful Friend and its sequels. 

The Group, Mary McCarthy - Breezy, but serious. New York sans glamor. Read if you liked The Haunting of Hill House, Cassandra at the Wedding.

The Mirador: Dreamed Memories of Irène Nemirovsky by her Daughter, Elisabeth Gille - absolutely fascinating, European literary collage, limits of memory/limits of the memoir. 

English, August, Upamanyu Chatterjee - Funny, immersive, irreverent. Read if you are: a directionless 20-something in need of companionship. 

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